Following Kuniyoshi's death in 1861, Yoshitoshi struggled as he set off on his own, taking Toshikage as his first student in 1863. Yoshitoshi learned to use these colors with subtlety and skill, holding his works to the highest printing standards throughout his career. As the 19th century progressed, ukiyo-e felt the influence of the modern era, particularly through the introduction of synthetic dyes. In the early 1860s, Yoshitoshi's prints focused on kabuki subjects and historical scenes, as well as foreigners. That same year, Commodore Perry's "black ships" docked in Edo Bay. Yoshitoshi Tsukioka published his first print to modest success in 1853, a triptych of a famous clash between the Taira and Minamoto clans. Kuniyoshi, a leading woodblock print artist of the day, developed a close relationship with his pupil and gave him the name Yoshitoshi. He began to study under the renowned Kuniyoshi at the age of 11. As a young boy, he showed remarkable artistic talent and fierce interest in classical Japanese literature and history. Yoshitoshi was born in Edo on April 30th, 1839. From ghost stories to folktales, violent clashes to the gentle glow of the moon, Yoshitoshi offers not only compositional and technical brilliance, but also unfettered passion. His powerful imagination and originality imbued his prints with a sensitivity and honesty rarely seen in ukiyo-e of this time period. ![]() Yoshitoshi worked in a Japan undergoing rapid change, straddling the domains of the old, feudal system of the Edo period and the new, modern world of the Meiji period. Considered one of the last great masters of ukiyo-e, Yoshitoshi Tsukioka's woodblock prints are known for their eerie and imaginative nature.
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